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Frieze - N203 - 2019

Andrew Durbin delves into cover artist Janiva Ellis’s ruptured figurative paintings; Sarah Manguso contemplates the work of Vija Celmins and the art of reckoning with silence; Ben Mauk unpacks the work of Natascha Süder Happelmann and the problem of representation in large-scale exhibitions; and five writers pen tributes to the pioneering work of Okwui Enwezor (1963–2019).

Plus, 29 reviews from around the world, including reports on neo pre-modernity in four non-profit spaces in London and Gretchen Bender’s first posthumous retrospective at Red Bull Arts New York.


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